Wednesday, January 13, 2010

Jean-Michel Jarre-OXEGENE (1976)

Jean Michel Jarre, son of film composer Maurice Jarre, is one of the true pioneers of electronic music. Oxygene is one of the original e-music albums. It has withstood the test of time and the evolution of digital electronica. Jarre's compositional style and his rhythmic instincts were his strong points in 1976. While his popularity has escalated exponentially over the years, he never quite achieved the quality of this amazing recording. The innocence and freshness provide most of its charm. Jarre's techniques and ability provide the rest. This epic CD will appeal to fans of Tonto's Expanding HeadBand, Tangerine Dream, Synergy, Kraftwerk, and Klaus Schulze.

-Jim Brenholts, allmusic.com

Discogs
Amazon

DOWNLOAD:
Jean-Michel Jarre-OXEGENE (1976)

Last Exit-IRON PATH (1988)

Their sole major-label release, their first studio recording, and a record that iconoclastic critic Chuck Eddy considers one of the 500 greatest heavy metal albums in the history of the universe. But that doesn't mean you should invite all your Deep Purple and Iron Maiden loving friends over for a listening party; they won't be amused. Using the studio to their advantage, Last Exit explores sonic texture on "Prayer" and "The Fire Drum," but never loses sight of the power and energy that makes their live recordings so memorable. If you were to have one Last Exit recording, this might well be the one. But any one of their live records would enhance your appreciation of this great record immeasurably.

-John Dougan, allmusic.com

Discogs
Amazon

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Last Exit-IRON PATH (1988)

John Foxx-METAMATIC (1980)

Foxx's solo debut after leaving Ultravox!, Metamatic, achieves the same emotional transcendence as his previous group's early highlight, Systems of Romance, despite a new reliance not just on synthesizers, but on a musical framework dependent on them. On Metamatic, Foxx cultivates a curious air of disinterest that never seems truly bored, but is much more extreme than even his unarguably distant vocal style for Ultravox!. It holds up as one of the peaks of the early-'80s fascination with emotionless, Kraftwerk-inspired synth pop.

-John Bush, allmusic.com

Discogs
Amazon

DOWNLOAD:
John Foxx-METAMATIC (1980)

Wednesday, January 6, 2010

Yellow Magic Orchestra-SOLID STATE SURVIVOR (1979)

The trio hit their stride with second album Solid State Survivor, a brisk and confident set of synth-disco-pop that continues along the line drawn five years before by Kraftwerk. Fun-loving and breezy where Kraftwerk had been ponderous and statuesque, the album sets out YMO's template for electronic pop with less minimalism and a more varying use of synthesizer lines. The English lyrics, written by Chris Mosdell but sung by YMO themselves, make for hilarious listening especially on a cover of the Beatles' "Day Tripper."

-John Bush, allmusic.com

Discogs
Amazon

DOWNLOAD:
Yellow Magic Orchestra-SOLID STATE SURVIVOR (1979)

Thursday, December 31, 2009

Various Artists-MONSIEUR GAINSBOURG: REVISITED (2006)

The mystique of Serge Gainsbourg still hangs in the air, like smoke from a Gitane, and 15 years after his death, the self proclaimed "cabbage-headed sex maniac" still exerts a phenomenal amount of charisma and influence over the pop world. Prime example -- Verve Forecast's timely tribute, Monsieur Gainsbourg: Revisited. It's a tribute album with a twist, though, as all of the songs have been meticulously translated into English, many for the first time. The sheer variety of the contributors here should give some indication of the universal influence the man still holds. From Jarvis Cocker to Marianne Faithfull, Michael Stipe to Marc Almond, Franz Ferdinand to Cat Power -- the lineup is nearly as diverse as the man's career was and, duly, the material covered here comes from nearly every corner of Gainsbourg's catalog. Unlike many collections of his work, Revisited doesn't dwell on his infamously racy selections (although there is the requisite "Je T'Aime Moi Non Plus" appearance, à la Cat Power and Karen Elson, and trip-hop's own "dirty old man" Tricky lays the musk on pretty thick for his sweaty take on "Goodbye Emmanuelle." Instead, the focus is more heavily on Gainsbourg's introspective, melancholy side (Michael Stipe's refreshing and impressively sincere reading of "L'Hotel Particullier" is a standout in that arena, as is Carla Bruni's "Those Little Things"). Alongside the melancholy, there is a good amount of just plain fun to be had as well. Faultline, Brian Molko, and Francoise Hardy's "Requiem for a Jerk" and Gonzales, Feist, and Dani's "Boomerang 2005" bring self-conscious chuckles and booty-shaking, respectively, into the mix, while the Rakes and Kills selections bring on the bravado. In a situation where any number of factors could have sent this project careening down the wrong tracks, Verve Forecast managed to wrangle it all in and offer a tribute that is reverent, representational, serious, and fun, all at the same time.

-J. Scott McClintock, allmusic.com

Discogs
Amazon

DOWNLOAD:
Various Artists-MONSIEUR GAINSBOURG: REVISITED (2006)

Ah, hell -- one more. Couldn't resist.

GAINSBOURG RECAP!

Hey everybody, here's a compilation of all the recent Serge Gainsbourg posts. I've included a little bonus: Arcade Fire's cover (half of a split 7" with LCD Soundsystem) of the Gainsbourg composition "Poupée de cire, poupée de son," which was popularized by France Gall. Best wishes and happy new year!

UN
(Histoire de Melody Nelson, Vu de L'Exterieur, Rock Around the Bunker, Aux Armes et Caetera)
DEUX
(Confidentiel, Gainsbourg Percussions, L'Homme a Tete de Chou, Mauvaises Nouvelles des Etoiles)
TROIS
(Du Chant a la Une, Initials B.B., Bande Originale du Film "Cannabis", You're Under Arrest)
QUATRE
(No2, L'Etonnant Serge Gainsbourg (No3), Jane Birkin et Serge Gainsbourg, Love and the Beat Volume 1)
Various Artists-GREAT JEWISH MUSIC: SERGE GAINSBOURG (1997)
Various Artists-MONSIEUR GAINSBOURG: REVISITED (2006)

DOWNLOAD:
Arcade Fire-"POUPEE DE CIRE, POUPEE DE SON" (2007)

Wednesday, December 30, 2009

Duke Ellington-THE AFRO-EURASIAN ECLIPSE (1971)

Duke swings contemporary without cheese.

And he does it well here in the 'Afro-Eurasion Eclipse'. Ever the coolest of cool hosts, Duke Ellington introduces us to a theme of contemporary world music as an ever increasing influence on everything we know.

Harold Ashby does more than his fair share of swinging here and shows us that regardless of influence Duke Ellington's music will always swing. 'Chinoiserie'=WILD! Improvisational jam!

This is a great recording in the fact that Duke really broke away from the bonds of conventional jazz and moved on to areas as yet uncharted. The greatest aspect of this, is, as he did everything else, he did it like the veteran professional he was.

This music swings in a way no one had swung before. Loosen up and listen with your body and soul and this music will grab a hold of you in a new way!

-Michael R. Lachance, amazon.com

Discogs
Amazon


DOWNLOAD:
Duke Ellington-THE AFRO-EURASIAN ECLIPSE (1971)

P.S. Swiped this from the excellent blog seventeen green buicks.

Monday, December 28, 2009

Herbie Hancock-CROSSINGS (1972)

With the frenzied knocking of what sounds like a clock shop gone berserk, Crossings takes the Herbie Hancock Sextet even further into the electric avant-garde, creating its own idiom. Now, however, the sextet has become a septet with the addition of Dr. Patrick Gleeson on Moog synthesizer, whose electronic decorations, pitchless and not, give the band an even spacier edge. Again, there are only three tracks — the centerpiece being Hancock's multi-faceted, open-structured suite in five parts called "Sleeping Giant." Nearly 25 minutes long yet amazingly cohesive, "Sleeping Giant" gathers a lot of its strength from a series of funky grooves — the most potent of which explodes at the tail-end of Part Two — and Hancock's on-edge Fender Rhodes electric piano solos anticipate his funk adventures later in the '70s. Bennie Maupin's "Quasar" pushes the session into extraterrestrial territory, dominated by Gleeson's wild Moog effects and trumpeter Eddie Henderson's patented fluttering air trumpet. Even stranger is Maupin's "Water Torture," which saunters along freely with splashes of color from Hancock's spooky Mellotron and fuzz-wah-pedaled Fender Rhodes piano, Gleeson's electronics, and a quintet of voices. Still a challenging sonic experience, this music (which can be heard on Warners' Mwandishi two-CD set) has yet to find its audience, though the electronica-minded youth ought to find it dazzling.

-Richard S. Ginell, allmusic.com

Discogs
Amazon

DOWNLOAD:
Herbie Hancock-CROSSINGS (1972)

SERGE GAINSBOURG! PART QUATRE



Discogs:
N°2 (1959)
L'ETONNANT SERGE GAINSBOURG (N°3) (1961)
JANE BIRKIN ET SERGE GAINSBOURG (1969)
LOVE AND THE BEAT, VOLUME 1 (2005)

Amazon:
N°2 (1959)
L'ETONNANT SERGE GAINSBOURG (N°3) (1961)
JANE BIRKIN ET SERGE GAINSBOURG (1969)
LOVE AND THE BEAT, VOLUME 1 (2005)

DOWNLOAD:
N°2 (1959)
L'ETONNANT SERGE GAINSBOURG (N°3) (1961)
JANE BIRKIN ET SERGE GAINSBOURG (1969)
LOVE AND THE BEAT, VOLUME 1 (2005)













P.S. LOVE AND THE BEAT, VOLUME 1 (2005) is not to be confused with LOVE ON THE BEAT (1984). However, Discogs does appear to confuse the two, so you can verify the tracklist with the Amazon link. Also, JANE BIRKIN ET SERGE GAINSBOURG (1969) is officially credited to Jane Birkin & Serge Gainsbourg.